The Strad says violinist Danbi Um is “utterly dazzling,” with “a marvelous show of superb technique,” and Oberon’s Grove says she “graced the music at every moment, [delivering] page after page of radiant, colorful playing.” Ms. Um has appeared as soloist with the Israel Symphony, Auckland Philharmonic, Herzliya Chamber Symphony, Vermont Symphony, and Dartmouth Symphony, among others, and in such venues as the Kennedy Center for the Performing Arts, Philadelphia’s Kimmel Center for the Performing Arts, Boston’s Isabella Stewart Gardner Museum, the Kumho Arts Hall in Seoul, the Tel Aviv Museum of Art, and in Bennett-Gordon Hall at the Ravinia Festival. She is a winner of Astral Artists’ 2015 National Auditions, and a current member of Chamber Music Society Two of Lincoln Center. With CMS, she has performed in Lincoln Center’s Alice Tully Hall, Chicago’s Harris Theatre, the St. Cecilia Music Center in Grand Rapids, the Vancouver Playhouse, and in Saratoga Springs. Festival appearances include Marlboro, Ravinia, Music@Menlo, Yellow Barn, Moab, Caramoor, and North Shore chamber music festivals. She tours frequently with “Musicians from Marlboro,” including a national tour of the U.S. She has played for the Seattle Chamber Music Society, and with the Jupiter Chamber Players. In April 2018, she gives her CMS recital debut in Lincoln Center’s Rose Studio, with Orion Weiss, as part of its “The Art of the Recital” series, and also appears with Weiss in Philadelphia in recital for “Morning Musicales.” Also upcoming are recitals at the National Museum of Women in the Arts in Washington D.C. and with the Chamber Music Society of Palm Beach. She also appears at the Moritzburg Festival in Dresden, Germany, and makes a return appearance at Music@Menlo, where she appears on its “Carte Blanche Concerts,” a series of artist-curated recitals.

Danbi Um was the Second Prize winner of the Young Artists Division of the Menuhin International Violin Competition and the Third Prize winner of New Zealand’s Michael Hill International Violin Competition. At the age of ten, she was admitted to the Curtis Institute of Music, where she graduated with a Bachelor of Music degree. She also holds an Artist Diploma from Indiana University, and her teachers have included Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. Danbi Um plays a 1683 “ex-Petschek” Nicolo Amati violin, on loan from a private collection.

One of the most sought-after soloists in his generation of young American musicians, the pianist Orion Weiss has performed with the major American orchestras, including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic. His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim.

2017-18 sees him opening the season for the Saint Paul Chamber Orchestra performing Beethoven’s Triple Concerto and ending his season with the Colorado Symphony and Mozart’s majestic Concerto in C major, K. 467; in between Orion will play with eleven orchestras, go on a recital tour with James Ehnes, and perform recitals around the country. In 2016-17 Orion performed with the Knoxville, Wichita, and Santa Rosa Symphonies and the Symphony Silicon Valley, among others, and in collaborative projects with Alessio Bax, the Pacifica Quartet, and with Cho-Liang Lin and the New Orford String Quartet in a performance of the Chausson Concerto for piano, violin, and string quartet. In 2015 Naxos released his recording of Christopher Rouse’s Seeing – a major commission Orion debuted with the Albany Symphony – and in 2012 he released a recital album of Dvorak, Prokofiev, and Bartok. That same year he also spearheaded a recording project of the complete Gershwin works for piano and orchestra with his longtime collaborators the Buffalo Philharmonic and JoAnn Falletta.

Named the Classical Recording Foundation’s Young Artist of the Year in September 2010, in the summer of 2011 Weiss made his debut with the Boston Symphony Orchestra at Tanglewood as a last-minute replacement for Leon Fleisher. In recent seasons, he has also performed with the Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra, and in duo summer concerts with the New York Philharmonic at both Lincoln Center and the Bravo! Vail Valley Festival. In 2005, he toured Israel with the Israel Philharmonic Orchestra conducted by Itzhak Perlman.

Also known for his affinity and enthusiasm for chamber music, Weiss performs regularly with his wife, the pianist Anna Polonsky, the violinists James Ehnes and Arnaud Sussman, and cellist Julie Albers. As a recitalist and chamber musician, Weiss has appeared across the U.S. at venues and festivals including Lincoln Center, the Ravinia Festival, Sheldon Concert Hall, the Seattle Chamber Music Festival, La Jolla Music Society SummerFest, Chamber Music Northwest, the Bard Music Festival, the Bridgehampton Chamber Music Festival, the Kennedy Center, and Spivey Hall.  He won the 2005 William Petschek Recital Award at Juilliard, and made his New York recital debut at Alice Tully Hall that April. Also in 2005 he made his European debut in a recital at the Musée du Louvre in Paris. He was a member of the Chamber Music Society Two program of the Chamber Music Society of Lincoln Center from 2002-2004, which included his appearance in the opening concert of the Society’s 2002-2003 season at Alice Tully Hall performing Ravel’s La Valse with pianist Shai Wosner.

Weiss’s impressive list of awards includes the Gilmore Young Artist Award, an Avery Fisher Career Grant, the Gina Bachauer Scholarship at the Juilliard School and the Mieczyslaw Munz Scholarship. A native of Lyndhurst, OH, Weiss attended the Cleveland Institute of Music, where he studied with Paul Schenly, Daniel Shapiro, Sergei Babayan, Kathryn Brown, and Edith Reed. In February of 1999, Weiss made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1. In March 1999, with less than 24 hours’ notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra. He was immediately invited to return to the Orchestra for a performance of the Tchaikovsky Piano Concerto in October 1999. In 2004, he graduated from the Juilliard School, where he studied with Emanuel Ax.