SUNDAY, DECEMBER 15, 2019
NORTON MUSEUM OF ART
PROGRAM – ALL BEETHOVEN
Beethoven: Piano Sonata in A Major, Op. 101
Beethoven: Violin Sonata in G Major, Op. 96
Beethoven: Cello Sonata in D Major, Op. 102, No. 2
Beethoven: Trio in B-flat Major, Op. 97
Orion Weiss is one of the most sought-after soloists in his generation of young American musicians, the pianist Orion Weiss has performed with the major American orchestras, including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic. His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim.
2017-18 sees him opening the season for the Saint Paul Chamber Orchestra performing Beethoven’s Triple Concerto and ending his season with the Colorado Symphony and Mozart’s majestic Concerto in C major, K. 467; in between Orion will play with eleven orchestras, go on a recital tour with James Ehnes, and perform recitals around the country. In 2016-17 Orion performed with the Knoxville, Wichita, and Santa Rosa Symphonies and the Symphony Silicon Valley, among others, and in collaborative projects with Alessio Bax, the Pacifica Quartet, and with Cho-Liang Lin and the New Orford String Quartet in a performance of the Chausson Concerto for piano, violin, and string quartet. In 2015 Naxos released his recording of Christopher Rouse’s Seeing – a major commission Orion debuted with the Albany Symphony – and in 2012 he released a recital album of Dvorak, Prokofiev, and Bartok. That same year he also spearheaded a recording project of the complete Gershwin works for piano and orchestra with his longtime collaborators the Buffalo Philharmonic and JoAnn Falletta.
Named the Classical Recording Foundation’s Young Artist of the Year in September 2010, in the summer of 2011 Weiss made his debut with the Boston Symphony Orchestra at Tanglewood as a last-minute replacement for Leon Fleisher. In recent seasons, he has also performed with the Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra, and in duo summer concerts with the New York Philharmonic at both Lincoln Center and the Bravo! Vail Valley Festival. In 2005, he toured Israel with the Israel Philharmonic Orchestra conducted by Itzhak Perlman.
Also known for his affinity and enthusiasm for chamber music, Weiss performs regularly with his wife, the pianist Anna Polonsky, the violinists James Ehnes and Arnaud Sussman, and cellist Julie Albers. As a recitalist and chamber musician, Weiss has appeared across the U.S. at venues and festivals including Lincoln Center, the Ravinia Festival, Sheldon Concert Hall, the Seattle Chamber Music Festival, La Jolla Music Society SummerFest, Chamber Music Northwest, the Bard Music Festival, the Bridgehampton Chamber Music Festival, the Kennedy Center, and Spivey Hall. He won the 2005 William Petschek Recital Award at Juilliard, and made his New York recital debut at Alice Tully Hall that April. Also in 2005 he made his European debut in a recital at the Musée du Louvre in Paris. He was a member of the Chamber Music Society Two program of the Chamber Music Society of Lincoln Center from 2002-2004, which included his appearance in the opening concert of the Society’s 2002-2003 season at Alice Tully Hall performing Ravel’s La Valse with pianist Shai Wosner.
Weiss’s impressive list of awards includes the Gilmore Young Artist Award, an Avery Fisher Career Grant, the Gina Bachauer Scholarship at the Juilliard School and the Mieczyslaw Munz Scholarship. A native of Lyndhurst, OH, Weiss attended the Cleveland Institute of Music, where he studied with Paul Schenly, Daniel Shapiro, Sergei Babayan, Kathryn Brown, and Edith Reed. In February of 1999, Weiss made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1. In March 1999, with less than 24 hours’ notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra. He was immediately invited to return to the Orchestra for a performance of the Tchaikovsky Piano Concerto in October 1999. In 2004, he graduated from the Juilliard School, where he studied with Emanuel Ax.
Violinist/violist Yura Lee is one of the most versatile and compelling artists of today. She is one of the very few in the world that has mastery of both violin and viola, and she actively performs both instruments equally. Her career spans through various musical mediums: both as a soloist and as a chamber musician, captivating audiences with music from baroque to modern, and enjoying a career that spans more than two decades that takes her all over the world.
Yura Lee was the only first prize winner awarded across four categories at the 2013 ARD Competition in Germany. She has won top prizes for both violin and viola in numerous other competitions, including first prize and audience prize at the 2006 Leopold Mozart Competition (Germany), first prize at the 2010 UNISA International Competition (South Africa), first prize at the 2013 Yuri Bashmet International Competition (Russia), and top prizes in Indianapolis (USA), Hannover (Germany), Kreisler (Austria), and Paganini (Italy) Competitions.
At age 12, Yura Lee became the youngest artist ever to receive the Debut Artist of the Year prize at the “Performance Today” awards given by National Public Radio. She is also the recipient of the prestigious Avery Fisher Career Grant given by Lincoln Center in New York City. Yura Lee’s CD with Reinhard Goebel and the Bayerische Kammerphilharmonie, titled ‘Mozart in Paris’ (Oehms Classics) received the prestigious Diapason d’Or Award in France.
Yura Lee was nominated and represented by Carnegie Hall for its ECHO (European Concert Hall Organization) series. For this series, she gave recitals at Carnegie’s Weill Recital Hall and at nine celebrated concert halls in Europe: Wigmore Hall in London, Symphony Hall in Birmingham, Musikverein in Vienna, the Mozarteum in Salzburg, Palais des Beaux-Arts in Brussels, Concertgebouw in Amsterdam, Stockholm Konserthus, Athens Concert Hall, and Cologne Philharmonie.
As a soloist, Yura Lee has appeared with many major orchestras, including New York Philharmonic, Chicago Symphony, Baltimore Symphony, Cleveland Orchestra, Detroit Symphony, San Francisco Symphony, Los Angeles Philharmonic, Monte Carlo Philharmonic, Hong Kong Philharmonic, Tokyo Philharmonic, to name a few. She has performed with conductors Christophe Eschenbach, Lorin Maazel, Leonard Slatkin, Myung-Whun Chung, Mikhail Pletnev, among many others.
As a chamber musician, Yura Lee regularly takes part in the Marlboro Festival, Salzburg Festival, Verbier Festival, La Jolla SummerFest, Seattle Chamber Music Festival, ChamberFest Cleveland, Caramoor Festival, Kronberg Festival, Aspen Music Festival, among many others. She has collaborated with many artists including Gidon Kremer, Andras Schiff, Leonidas Kavakos, Mitsuko Uchida, Miklós Perényi, Yuri Bashmet, Menahem Pressler, and Frans Helmerson. Yura Lee is currently a member of the Chamber Music Society of Lincoln Center (New York City), and Boston Chamber Music Society.
Yura Lee studied at the Juilliard School (New York City), New England Conservatory (Boston), Salzburg Mozarteum (Austria), and Kronberg Academy (Germany). Her main teachers were Namyun Kim, Dorothy DeLay, Hyo Kang, Miriam Fried, Paul Biss, Thomas Riebl, Ana Chumachenko, and Nobuko Imai. She teaches both violin and viola at the Mason Gross School of the Arts at Rutgers University. Yura Lee lives in Portland, Oregon.
From 1999 until its final season in 2013, Clive Greensmith was a member of the world-renowned Tokyo String Quartet, giving over one hundred performances each year in the most prestigious international venues, including New York’s Carnegie Hall, Sydney Opera House, London’s South Bank, Paris Chatelet, Berlin Philharmonie, Vienna Musikverein, and Suntory Hall in Tokyo. He has collaborated with international artists such as Andras Schiff, Pinchas Zukerman, Leon Fleisher, Lynn Harrell, Dmitry Sitkovetsky, Alicia de Larrocha, and Emanuel Ax.
Mr. Greensmith has given guest performances at prominent festivals worldwide. In North America he has performed at the Aspen Music Festival, Marlboro Music Festival, Music@Menlo, La Jolla SummerFest, Santa Fe Chamber Music Festival, Cleveland Chamber Fest, and the Ravinia Festival. He is a regular guest of the Chamber Music Society of Lincoln Center and will undertake a national tour with Paul Huang, Wu Han, and Matthew Lipman in 2020. Internationally he has appeared at the Salzburg Festival in Austria, Edinburgh Festival in Scotland, Pacific Music Festival in Japan and the Hong Kong Arts Festival. As a soloist, Clive Greensmith has performed with the London Symphony Orchestra, Royal Philharmonic Orchestra, Seoul Philharmonic, and the RAI Orchestra of Rome among others.
During a career spanning over twenty-five years, Mr. Greensmith has built up a catalog of landmark recordings, most notably The Complete Beethoven String Quartets for Harmonia Mundi with the Tokyo String Quartet, Mozart’s ‘Prussian’ Quartets with the Tokyo String Quartet, Brahms Cello Sonatas with Boris Berman for Biddulph Recordings, and Clarinet Trios of Beethoven and Brahms with Jon Nakamatsu and Jon Manasse for Harmonia Mundi. Toccata Classics will release a live recording of his world premiere performance of the Pál Hermann Cello Concerto with Theodore Kuchar and the Lviv International Symphony Orchestra in the spring of 2019.
Mr. Greensmith studied at the Royal Northern College of Music in England with American cellist, Donald McCall, where he was the recipient of the prestigious Julius Isserlis Scholarship. He continued his studies at the Cologne Musikhochschule in Germany with Russian cellist Boris Pergamenschikow.
In 1987, he made his concerto debut with the London Symphony Orchestra and went on to be first prize winner in the Sergio Lorenzi chamber music competition in Trieste, Italy, and first prize winner in the Caltanissetta Duo competition. Most notably, he was a major prizewinner in the first ever “Premio Stradivari” held in Cremona, Italy in 1991.
Deeply committed to the mentoring and development of young musicians, Clive has enjoyed a long and distinguished teaching career. In addition to his fifteen-year residency with the Tokyo String Quartet at Yale University, Mr. Greensmith has served as a faculty member at the Yehudi Menuhin School and Royal Northern College of Music in England, the San Francisco Conservatory of Music and the Manhattan School of Music. In 2013, following the final concerts of the Tokyo String Quartet, Mr. Greensmith joined the faculty at the Colburn School where he teaches cello and coaches chamber music for the Conservatory of Music and the Music Academy. Students of Mr. Greensmith have gone on to secure major positions in orchestras throughout the world and have won a number of prestigious awards. In July 2019, he will succeed Günther Pichler as director of string chamber music at the Accademia Chigiana International Festival and Summer Academy in Siena.
Formerly the principal cellist of London’s Royal Philharmonic Orchestra, Mr. Greensmith is a founding member of the Montrose Trio with pianist Jon Kimura Parker, and violinist Martin Beaver.